Meet the Performers

  • Yasmin Pascall

    PERFORMER

    (she/they) is an NYC-based actor and creative from Chennai, India. They are honored to be a part of this project. She is currently a resident actor at the Mercury Store. Recent credits: Ellis Stump’s White Bitches in Delhi at the Lenfest Center, Kit Marlowe at Redbull Theater, and Kate Pressman’s Pair at the Lenfest Center. UNCSA Drama ’21. @yasminpascall

  • Michael Chinworth

    PERFORMER

    is an actor, composer and multi-disciplinary artist based in New York. As a music artist he has created and produced numerous albums/sound art/recorded work, and has toured nationally and internationally as a solo performer and bandmate. Stage credits include Constellations (Roland) at the Gene Frankel Theater, Teatro Belli, Teatro Garage, and Teatro Erba; BOTCH and oyster (by Joe Diebes) at HERE Arts and Roulette; Time and Motion Study, Border Towns, Psychic Driving, The Breaks; Serenade for tenor, horn and strings by Benjamin Britten (tenor) at Chapin Hall, Williams College.

  • Dax Valdes

    PERFORMER

    is an actor, movement director, and teaching artist. With Nick Brooke: Decameron, Border Towns.Selected performance credits include The King and I (2nd National), The Addams Family, Matilda, Shrek, Seussical, (CFRT), The Tempest (Free Black Millenials), Spamalot, Rumors, Triumph of Love (Millbrook Playhouse), Beardo (Pipeline Theater), Trade Practices, Lush Valley, (RUS)H, Orpheus (HERE), A Dream Play (NAATCO), 3 Sisters (Old Vic New Voices). Work as movement and/or director has been seen at Prospect Theater Company, Ma-Yi, NAATCO, Leviathan Lab, Walnut Street Theater, and Millbrook Playhouse. Associate member – SDC. Graduate of Point Park University and PCPA.

  • Ariadne Greif

    PERFORMER

    Ariadne Greif, praised for her "luminous, expressive voice," "searing top notes," and "dusky depths," (NYTimes), enjoyed a casual child career as a “boy” soprano at the LA Opera, eventually making an adult debut singing Lutoslawski's Chantefleurs et Chantefables with the American Symphony Orchestra. She starred in operas ranging from Donizetti’s Elixir of Love with The Orlando Philharmonic, to Poulenc’s Les Mamelles de Tirésias at the Aldeburgh Festival, and Atthis, by G.F. Haas, which the NY Times called "one of the most searingly painful and revealing operatic performances in recent times.”

    Recent projects included performances with William Kentridge in the Oslo Opera House, The Luxembourg Philharmonic, Berkeley Cal Performances, and Performa in New York of the Dada masterpiece Ursonate, collaborations with The Knights, two projects of her own called Bird Party and Eleven Wild Geese commissioned by The Ultima Festival in Norway, a film of Table Manners, by Sheree Clement, and a film of We Need To Talk, a new monodrama by Caroline Shaw and Anne Carson for Opera Philadelphia. Highlights this season include Alyssa Weinberg’s Isola with Long Beach Opera, as well as the forthcoming album of Kate Soper’s opera The Romance of the Rose. Ariadne has premiered upwards of twenty new operas and more than a hundred new chamber works.

  • Paul Pinto

    PERFORMER

    is a composer, performer, opera-sermonizer, and multi-disciplinary dabbler who makes music, new media, micro-theatres and durational performance by himself and with his friends. Some of those friends include the collectives thingNY, Varispeed and LOVELOVELOVE. A few favorite projects include Patriots with Jeffrey Young, Robert Ashley's Perfect Lives with Varispeed, Peter Maxwell Davies' Eight Songs for a Mad King, and the cyclorama video installation Whiteness with Kameron Neal. He sang and danced on Broadway in Dave Malloy's Natasha, Pierre and the Great Comet of 1812, and wrote and performed in the electronic opera Thomas Paine in Violence starring Joan LaBarbara. Recent commissions and partnerships include HERE Arts, Prototype Festival, Big Ears Festival, Colgate University, The Fisher Center, the Look + Listen Festival, American Opera Projects, Opera America, Culturehub, LaMaMa, Quince Ensemble, WNET All Arts, Media Art Xchange, The Exponential Festival, The Rhythm Method, Yarn/Wire, Gelsey Bell, Nick Brooke and Kristin Marting. He’s a proud artist on the omnivorous Brooklyn label, Gold Bolus Recordings.

  • Synead Cidney Nichols

    PERFORMER

    is a poly-disciplinary performance artist based in New York City. Her inspiration is deeply rooted in her quest for collective healing, self-awareness, and the freedom and advancement of queer, black and indigenous people of color. She utilizes various movement-based practices & healing modalities to dismantle fear-based thinking around our identities in order to self-actualize our deepest creative desires. Her practice consists of exploring, sustaining, and reinventing the provisional nature of humanity as it relates to the environment in its macro and micro moments through movement, music, & performance. In the last years, she has performed in a series of works including “BLANKS” (Getsethamane Herron-Coward/Signature Theater), "The Hang" (Taylor Mac/ HERE Arts), "Dark Girl Chronicles" (Nia O. Witherspoon/The Shed), "Second Skin: MONSTER" (Magnus Works/Judson Memorial Church), and so much more. Synead was most recently awarded the New York City Trust Van Lier Fellowship and is an apprentice with Urban Bush Women. She is currently in pre-production for "Priestess of Twerk" created by Nia O. Witherspoon set to premiere this spring at The Space at Irondale Brooklyn. She is continuously inspired to create boundary-breaking art that challenges societal norms and inspires others to cultivate change in their inner worlds in hopes that it will create change in the world around us all.